Thursday, April 30, 2015
The Ar-Kaics on Market Square Records
How did The Ar-Kaics happen to hit on that same tone as the Fresh and Onlys did a few years back not only in number of releases and buzz but in tapping a similar fuzzy soul psych that Tim Cohen did. I've always been a fan of this sound that has parts of a beachy reverb mixed in with a distant, cood post-psych sound. You're filling in a lot of those mysterious gaps while the melody just rises out of this satisfying fog. Another great single from this Richmond, VA four piece who also just put out that full length with Windian not long ago - take your pick.
A-Side's "Always the same" bashes in a heavy 4/4 beat, the snare echoing that kick because the god damn air is just MOVING. Shrill reverb taking it's place right alongside that downbeat, proof they don't have to speed things up to gain that snarling energy and momentum. Layer in a tambourine and busted static cymbal into that snare and you can barely make out these vocals. It's become a real primitive Mummies sounding garage with an everything is simple and new sound of Troggs demos. There's no denying a rhythm like this but still not an easy thing to pull off, it takes a skilled hand to get anything new out of it. A bent, uneasy solo piped in from the HVAC duct next door makes this sound even more dirty and dangerous. Guess what's 'always the same'? The hurt and pain.
B-Side's "Let Me In" starts with haunting high angled reverb with big distance, the notes settling into a foggy night marsh. It's cold until the drums shuffle in and another set of guitar tones start hardening this into place. It's all about this mood they create as much as the actual placement and tempo of the notes. The layers of space have as much to do with this sound as the struck notes drawn out by those cycles of circuits. Kevin Longendyke's vocal is floating in that midpoint of the mix not worried about keeping his head up above this thick blanket, you couldn't get to this place fighting. It's not the demand of 'Let me in' as much as it's the despair of getting shut out. Feedback upon feedback grows interrupting this analog sound in their interpretation of the lonesome solo, leaning that guitar up against the cabinets and letting nature take it's course.
As usual the Ar-Kaics let the music speak for itself and all you get is a brown paper sleeve. All they need is that name on the center label.
Sold out from Market Square direct but Goner has copies still.