Showing posts with label Jack of Heart. Show all posts
Showing posts with label Jack of Heart. Show all posts

Monday, July 11, 2011

Jack of Heart on Slovenly Records



Here's a new one from Slovenly Records, who recently brought us the Acid Baby Jesus single from garage creeps in Greece. Turns out Jack of Heart happens to be based out of - - the south of France? Is Slovenly Records on some quest for frequent flyer miles? Is the label based in NV or NY? Is this scuzz rock going to find a new audience with the Nashville garage set?
Absolutely.

"Eureka", on the A-Side has one of those completely surprising guitar sounds, simultaneously loud and quiet with an insane gravely tin distortion which they can turn off with the flick of a switch during the chorus for a great rock contrast. It's consistently running in the middle of being so put together and produced with an overall mischievous feel, while being on the edge of rattling apart.
The evil elf or demon vocal is definitely unique, possibly twisted up in tempo ween style just slightly? Can anyone actually sing like this?

What the hell all the creepy dolls are doing across this sleeve I'll never understand. It's next to impossible to use dolls ever in anything, let's face it, they've been overused by outsider creepy old man artists or lazy horror movies. What they have to do with this psyche garage? Something isn't quite translating graphically.

The next track, "Oscar Wilde":
Maybe just because I've been listening to a lot of Art Museums as of late, but this low end subsonic synth baseline is a page right out of their analog book and even talking about Oscar Wilde, It's the contemporary instrumentation combined with really out of date ideas and icons, that become cool again.
Compared to "Eureka", this has a completely different vocal and instrumental feel , it's a 180 degree turn, going for that sober photo side of the pastel Barbie trying to freakout, really letting loose. The monkey vocal noises are a nice touch along with repeating "Oscar Wilde" over and over, slow psyche style, layered background F&O's vocal and laid back sound.
Such a great weirdo synth sound I can't get over, with the bizarre pairing of subject and style.

Big hole, great Slovenly center label graphics, like an old 45 blues company, instantly recognizable and standing for this outsider garage as a whole, looking far and wide for these uncompromising sounds.

The B-Side, "Primitiv (The Groupies)", Pays homage to another unmined '60s garage band, The Groupies (and The Cramps who also covered it), Jack of Heart bring the single back around to embrace this past. The fact they even cover this track says a lot…it points to their influences and aligns them further with this specific sound. This slow creepy vibe, and rockabilly reverb surf guitar with a lot of vocal squealing and screaming into the mic. Not so much being tortured yourself, but getting off on the sadism. Dirty, slow, garage blues. Taking the guitar sounds and vocal effects really seriously, specifically calibrated for maximum unsettling. The extra creep factor is here because of this attention to detail in just the right color distortion that's unfamiliar.

Ignore the pedestrian sleeve and order this Jack of Heart 7" from Slovenly Records.


Slovenly gets creepy with a new three track 45 from esteemed French muck wranglers, Jack of Heart! Lead by Piero (ex-Mighty Go-Go Players/ Fatals/ Demon’s Claws) this 7" starts off with a disheveled fuzz stun-gun called "Eureka," a catchy dancer with snotty attitude out the ass, then slinks into trippy carnival grounds for a spell with the whimsical "Oscar Wilde." For Side B, Jack of Heart takes on the task of covering a song The Cramps taught us, 1966's "Primitive" by The Groupies. While Lux and Ivy arguably couldn't even improve on the original, Jack of Heart gives this standard a nasty, stinging twist of their own, and it works perfectly for the 45 format. This superb blend of headphone worthy psych-garage comes housed in a gorgeous full color sleeve, with band dedications to fallen friends Seb Favre, Bobby Ubangi, and Jay Reatard.

Monday, July 7, 2008

Robs House 2 new ones!


I listened to a lot of the black keys over the holiday weekend...it seemed to be on a couple communal ipods and I was getting into it, at times it sounded like jimi hendrix..even vocally, I was convinced it was some lost tracks or import thing. They have that classic, blues/rock sound down...it's turned into their own thing for sure.
Robs house sent an email about these two seven inches coming down the Atlanta Blues/rock conveyor belt...the first Jack of Heart even toured with the Lips and they are very much garage, live act, there's dirty jangly guitar solos for lovers....they keep mentioning 'your girlfriend' after all their myspace influences and as their quote, so watch it because apparently your girlfriend is really going to like them.

Lover!, is an ex-reatard, and just played at the cakeshop on July 4th????!!!!! Awwww fuck. Anyway, I'm excited because I like this a lot...the riff here reminds me of Foreigner and the Stones, it's big and raw sounding, but still has a homemade awesome feel to it, like something you just found buried at the salvation army. There's a reason he played with Jay and this solo stuff is well along those lines and equally as punishing.

Get them both.


rhr038 Jack of Heart - San Francisco 7" (b/w Ponytail)
Departing completely from the static-soaked, overdriven throb prerogative of their previous bands, Jack Of Heart is a new conglomeration of Piero from the Fatals and Demon's Claws, and Benji from the Creteens. Their sound takes off down the tender side of the switchblade, and erupts with such an unassuming immediacy that it's tough to pinpoint the first time it slithers through your head. With a decidedly less noisy sentiment in place, Jack Of Heart combine echoed and chilling guitars that form those little icy patches that cause you to slip, and fall in love. [todd killings] [500 pressed; black vinyl]

rhr039 Lover! - Man In The Woods 7" (b/w Foxhole Madness)
Rich Crook has already blazed a frightfully righteous pop pathway with Lover!, showcasing the hidden songwriting talents he kept to himself with such notable bands as the Reatards, Lost Sounds, and Viva L'American Death Ray. Once his songs reached the surface in The Knaughty Knights, it was apparent that Crook needed his own vehicle to spread his pop sense to the outer limits of the rock'n roll underworld. [todd killings] [500 pressed; black vinyl]

preorder now at http://www.robshouserecords.com

and if there's any other releases your interested in now's the time to get em. i'm moving in a month and trying to clear out as many records as possible in the meantime.