Showing posts with label hot lunch. Show all posts
Showing posts with label hot lunch. Show all posts

Thursday, October 11, 2012

Hot Lunch on Who Can You Trust Records


How could I forget the heavy psych metal scream of Hot Lunch from their Alakazam single on Who Can You Trust Records? I didn't and neither did Who Can You Trust, answering their own question when it comes to this throwback perfectly assembled monsters of rock '70s sound. It leaves me still asking the question though, how does a German record label come across this heavy sound out of San Francisco and nail these stoners down for not just one single, but TWO!

A-Side's "Killer Smile" is laying the thick as brick foundation heavy sound, it's a freaking anvil falling out of the sky from the minute the track starts. You think you remember how hard this is, just how fast and loud they're bringing this rock, but you don't. Vocally this dude is balancing this gritty, pained yell with a belted melody. I love their freaking massive wah sound, no one has utilized that pedal like this in years! The tom passes through the left and right channel, across the whole stadium, that's exactly where this was recorded. It's the kind of sound destined for that space, to the point it would actually improve on this. The bigger the stacks, the more echo and delay off each successive speaker reaching back to the nosebleed seats...it would just add to this.
Hot Lunch is sweaty and hot, like Foghat and anything Sabbath, sweet old school classic rock, just swamps and warm thundery distortion. Half metal lyrics, or just blinded by moonshine:
I want to paint your lips red / with the blood of your foe
Completely sweet shit like that.
Screaming heavy, nuts pipes and this explodes into total metal, getting dangerous but then tinted with that hillbilly rock and stuff, speed up the blues riff with a tankful of distortion and you got this. Taking the long way around the arrangement to get back to this end chorus. Fantastic. Where's the rock school these guys are graduating from?

I love this insert card, I love their graphics, I love that they love 80's skate jams and analog tape and massive tube amps, these guys are back to the roots, all class.
"You're alright" is a cover from an old school skate movie, Skateboard Madness....and I mean early, like early '80s, by the time I got that gator gonzalez deck, skating had changed into something different from this thing. This is the perfect tough almost glam rock vocal, the rest of the band comes in on on backup harmony with lots of room for blown out solo's. Gravelly and rough, this is perfectly about 40 years past due, they reproduce this texture perfectly. I want to watch Thrasher or that Dogtown doc...although didn't those movies always have shitty 80's bands in them? LIke new wave bloops... they could have used more of this tough as leather southern skids sound, demin jackets and switchblades and less neon. Hot Lunch are here to rectify that for all time. Full length coming soon.

Black vinyl, big hole, because you better have an adapter god dammit, with killer graphics (that should be a t-shirt like the peralta screaming hand, just a no sleeve grey sweatshirt) on the cover from Who Can You Trust Records who is way ahead of the curve.

Released in an edition of 400 copies on black vinyl.

6.00 € + shipping
Order via: whocanyoutrustrec@googlemail.com



Monday, June 18, 2012

Hot Lunch on Who Can You Trust Records




Got this mystery vinyl in from Who Can You Trust Records, it took me a while to notice that the band name, "Hot Lunch" was sitting right there in the green slime drool between those teeth...nice sleeve guys. Poking around the label site it seems like this German based label is nurturing the heavy psych pre-metal rock of the late '70s, with cassettes and singles from Hot Lunch.

"Alakazam" on the A-Side dives right into a screaming guitar, tight up front drums...right out of "Slow Ride" that sludgy classic beefy rock, with a bluesy almost metal melody over that slow death beat the drummer can work a thousand fills in between kick hits. The whole thing picks up into a faster sabbath quick riff sound and Eric Shea's high register raspy delivery is of course the perfect compliment to this ballsy rock, a similar Michael McKean style from the Tap...maybe even lyrically at points.

Everybody says that you need a wife / to drink the milk of life
I don't know why / it all began / I just came here for the party


A lot of control, but letting loose in that metal scream. They've nailed this sound in exactly the same way The Enthusiasts do...you hope there's some room out there to appreciate this sort of thing. They're so dead on in execution are they even going to be recognized for just recording this yesterday? So specific that it almost has to be some sort of parody or homage? No one would take the time to sincerely create this kind of impressive groove. All the classic rock stations out there just playing the same twenty songs over and over when there are bands like this! Oh radio, just curl up and die somewhere.

B-Sides "She wants More" shows off that crunchy riffage, literally you can hear the cable shorting out, the sound of the note just breaking through that Roger Dean dimension, taking it's agonizing time to bust out the unbelievable speed psych rock. Doing away with any of the haze, or extended jamming, packing that sort of loose, mustachioed, classic car sound right into two minutes. Completely macho, leather fringe vests...without any of the romanticism...pure classic rock that has no right to be done better than the original.

Check it out below