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The Breeders had a pretty hard start with the Pod not being officially released and then their major label shelving their album, but it was still more successful and captured more of the Pixies sound than any Frank Black album.
This track is no exception, 'We're all gonna rise' could easily be from a pixies b-side or a later track on any one of those albums, it's a slow dance picked guitar that end with a super dirty distorted solo. Still very 90's sounding, but that could just be her doubled chorus-y vocal style in a hollow room that takes me back.
It's weird I really liked Kim's other side project The Amps entire album and the Breeders Cannonball was a great track, but I never could admit to liking them, they just weren't something I seriously listened to for any given amount of time. That track in particular was way overplayed but they remained consistent and are still doing something interesting for sure.
On 4AD, or more likely at some record store near you.Breeders-Were gonna rise [limited edition]-Limited edition 7 inch single taken from the brand new breeders album on the 4ad label. Its probably one of the more mellow tracks from mountain battles with the track having a lovely waltz like feel about it and kim deals voice in truly superb form yet again. Comes with german demonstration on the flip side. April 2008-7"-4ad
I kind of liked the breeders, after you go thru the pixies catalog, you start to look for the side projects, before and after. if you were wondering where the talent lies in the pixies, look for a second at the black francis mess, and I think you will agree: Kim Deal.There was also that other side project 'The Amps' , they had some dam good tracks, I mean suprisingly good. That was on my ipod for a while and when it would come up randomly, I would have to stop and see what was playing until her voice kicked in. Just think back to 1995 and then listen to 'breaking the split screen barrier' it's way ahead of it's time, and my friends that is the brain behind the pixies. Now of course you can argue, well they were as good as they were because of the fights and everyone keeping each other in check, and that probably has a lot to do with it, but you won't see me buying any frank black albums.Today's selection will add two new covers to the giagantic indie rock covers mix tape you are making. I don't think I remember the jesus and mary chain song, but who doesn't love 'divine hammer'?
Get it from From Parasol records:
Peel, Julie / The Caulfield Sisters
Divine Candy
PS, US 7" Blue Vinyl Split featuring French indie-rocker JULIE PEEL covering The Breeders "Divine Hammer", and Brooklyn's favorite daughters THE CAULFIELD SISTERS covering The Jesus and Mary Chain's "Some Candy Talking" live. Mastering by Sean Glonek at SRG studios (Frank Black, Kristin Hersh, The Dresden Dolls, Matthew Sweet), and renowned rock poster designer Lon Unitus (Liz Phair, The Decemberists, The Shams, John Doe) created a custom sleeve just for this release. It's a very limited pressing (only 500 hand-numbered copies worldwide). For fans of The Breeders, The Amps, Juliana Hatfield, Galaxie 500, The Jesus and Mary Chain, and The Pixies.
Or go straight to the source: AmericanLaundromat:
DIVINE CANDY: 7" Blue Vinyl Split Our first vinyl split features THE CAULFIELD SISTERS covering The Jesus and Mary Chain's "Some Candy Talking", and French indie-rocker JULIE PEEL covering The Breeders "Divine Hammer". This release is getting lots of props in all the music forums. The blue vinyl is absolutely BEAUTIFUL and it sounds GREAT! We're selling these fast so don't miss out. Another limited edition pressing (only 500 hand-numbered copies worldwide).